In support of the PA Film Tax Credit Program

This video is presented by the women and men of the Pennsylvania film and television industry.

Produced, Written and Directed by: Sam Katz
Production Supervisor: Jon Kohl
Editor: Nethaniel Attias
Camera, Sound and Light: Bethany Laible, Kevin Quinn, Nethaniel Attias
Production Coordinator: Kate Arnold

Richard Linklater’s ‘Last Flag Flying’ Is New York Film Festival Opener

At a time when the feet of most New Yorkers haven’t yet touched beach sand, the town’s preeminent movie festival is already steeped in lining up Oscar season launches for the fall.  The Film Society of Lincoln Center has set as the Opening Night film of the 55th New York Film Festival the Richard Linklater-directed Last Flag Flying. The film makes its World Premiere at Alice Tully Hall on Thursday, September 28. The festival runs from September 28 – October 15. Amazon Studios has set Last Flag Flying for a November 17 theatrical release. The film is a road movie in which three aging Vietnam-era Navy vets—soft-spoken Doc (Steve Carell), unhinged and unfiltered Sal (Bryan Cranston), and quietly measured Mueller (Laurence Fishburne)—reunite to perform a sacred task: the proper burial of Doc’s only child, who has been killed in the early days of the Iraqi Invasion. During the trip up the Eastern seaboard, Linklater covers terrain evocative of life in the USA during the Bush era, and a striking meditation on the passage of time and the nature of truth. The latter is something Linklater has done particularly well in films from Boyhood to Dazed and Confused.

“Last Flag Flying is many things at once—infectiously funny, quietly shattering, celebratory, mournful, meditative, intimate, expansive, vastly entertaining, and all-American in the very best sense,” said New York Film Festival Director and Selection Committee Chair Kent Jones. “But to isolate its individual qualities is to set aside the most important and precious fact about this movie: that it all flows like a river. That’s only possible with remarkable artists like Steve Carell, Laurence Fishburne, and Bryan Cranston, and a master like Richard Linklater behind the camera.”

Said Linklater: “It’s always special to be at the New York Film Festival, but to be premiering our movie on opening night, when you look at the half century of films that have occupied that slot, is a wonderful honor.”

It marks the second year in a row that a streaming service-minded company caught the NYFF opener, as last year’s fest bowed with the Netflix documentary 13th by Ava DuVernay. What have been the past NYFF openers? Here’s the whole list:

2016 13TH (Ava DuVernay, US)
2015 The Walk (Robert Zemeckis, US)
2014 Gone Girl (David Fincher, US)
2013 Captain Phillips (Paul Greengrass, US)
2012 Life of Pi (Ang Lee, US)
2011 Carnage (Roman Polanski, France/Poland)
2010 The Social Network (David Fincher, US)
2009 Wild Grass (Alain Resnais, France)
2008 The Class (Laurent Cantet, France)
2007 The Darjeeling Limited (Wes Anderson, US)
2006 The Queen (Stephen Frears, UK)
2005 Good Night, and Good Luck. (George Clooney, US)
2004 Look at Me (Agnès Jaoui, France)
2003 Mystic River (Clint Eastwood, US)
2002 About Schmidt (Alexander Payne, US)
2001 Va savoir (Jacques Rivette, France)
2000 Dancer in the Dark (Lars von Trier, Denmark)
1999 All About My Mother (Pedro Almodóvar, Spain)
1998 Celebrity (Woody Allen, US)
1997 The Ice Storm (Ang Lee, US)
1996 Secrets & Lies (Mike Leigh, UK)
1995 Shanghai Triad (Zhang Yimou, China)
1994 Pulp Fiction (Quentin Tarantino, US)
1993 Short Cuts (Robert Altman, US)
1992 Olivier Olivier (Agnieszka Holland, France)
1991 The Double Life of Veronique (Krzysztof Kieslowski, Poland/France)
1990 Miller’s Crossing (Joel Coen, US)
1989 Too Beautiful for You (Bertrand Blier, France)
1988 Women on the Verge of a Nervous Breakdown (Pedro Almodóvar, Spain)
1987 Dark Eyes (Nikita Mikhalkov, Soviet Union)
1986 Down by Law (Jim Jarmusch, US)
1985 Ran (Akira Kurosawa, Japan)
1984 Country (Richard Pearce, US)
1983 The Big Chill (Lawrence Kasdan, US)
1982 Veronika Voss (Rainer Werner Fassbinder, West Germany)
1981 Chariots of Fire (Hugh Hudson, UK)
1980 Melvin and Howard (Jonathan Demme, US)
1979 Luna (Bernardo Bertolucci, Italy/US)
1978 A Wedding (Robert Altman, US)
1977 One Sings, the Other Doesn’t (Agnès Varda, France)
1976 Small Change (François Truffaut, France)
1975 Conversation Piece (Luchino Visconti, Italy)
1974 Don’t Cry with Your Mouth Full (Pascal Thomas, France)
1973 Day for Night (François Truffaut, France)
1972 Chloe in the Afternoon (Eric Rohmer, France)
1971 The Debut (Gleb Panfilov, Soviet Union)
1970 The Wild Child (François Truffaut, France)
1969 Bob & Carol & Ted & Alice (Paul Mazursky, US)
1968 Capricious Summer (Jiri Menzel, Czechoslovakia)
1967 The Battle of Algiers (Gillo Pontecorvo, Italy/Algeria)
1966 Loves of a Blonde (Milos Forman, Czechoslovakia)
1965 Alphaville (Jean-Luc Godard, France)
1964 Hamlet (Grigori Kozintsev, USSR)
1963 The Exterminating Angel (Luis Buñuel, Mexico)

ABC’s “Downward Dog” surprisingly proves not all talking animal shows are silly fluff

Allison Tolman is allergic to her co-star.

That’s not a euphemism for Hollywood diva behavior. Ms. Tolman’s canine co-stars literally caused her to have an allergic reaction on the set of ABC’s “Downward Dog” last fall in Regent Square.

“I take an allergy pill and I’m usually OK, but if he licks me ….” she explained between scenes with a dog in October on the show set and filmed in Pittsburgh. “The puppy was licking my face, which was adorable and I didn’t want to stop him, but then my lip got a little puffy, a little collagen-y and then makeup has to deal with it.”

Created by Pittsburghers Michael Killen and Samm Hodges, “Downward Dog” follows Pittsburgher Nan (Ms. Tolman) and her dog Martin (voiced by Mr. Hodges and played by Ned), who speaks directly to viewers through computer-generated technical wizardry, but whose voice is not heard by Nan.

The show’s biggest hurdle — internally at ABC and externally with audiences as “Downward Dog” premieres at 9:30 p.m. Wednesday before moving to its regular 8 p.m. Tuesday time slot May 23 — is how to describe the series without it sounding like every bad talking animal show that came before.

“We thought, this has got to be a complete mess,” said John Hoberg who, with wife Kat Likkel, was brought in to be the “Downward Dog” showrunners after the pilot. “We had to see how bad a talking dog show for a network is.”

After meeting with Mr. Killen and Mr. Hodges, they found themselves saying yes to working on the series.

“We seriously had a moment of, ‘Wow, they cracked it,’ ” Mr. Hoberg said. “They figured out how to do something people have been doing a long time — talking animal shows — in a cool and intellectual way and to tell real stories.”

“I feel like it’s touching but not in a crying-eating-ice-cream way,” Ms. Likkel said. “There’s emotional truth to this thing.”

Even Ms. Tolman was hesitant when she first heard the pitch.

“My first reaction was, this sounds ridiculous,” Ms. Tolman said. “And then I read the script and it was really funny and smart, but then I was still confused about how there was a talking dog in this funny, smart show. Then I saw the shorts this is based on, which are on the internet, and I was sold 100 percent. It’s a tonal thing you can’t really get from reading it and it’s hard to describe the show. I think you have to see it to get it.”

On the set

Rather than build a set on a stage, which is standard procedure for TV comedies, “Downward Dog” filmed almost all of its scenes on location.

For Nan’s house the production rented a home on Lancaster Avenue in Regent Square. The interior for her workplace, the in-house ad agency for Urban Outfitters-like retailer Clark & Bow Outfitters, was the old Hipwell flashlight factory in Allegheny West, previously used on “Those Who Kill.” (A building on First Avenue is used for exterior establishing shots.)

Other filming locations included Frick Park, West Park, the Hot Metal Bridge, Wigle Whiskey, Carnegie Music Hall, the Washington’s Landing bike path, Reed Smith, Silky’s Crow’s Nest in Sharpsburg and the East End Co-Op.

The show also has Pittsburgh-specific jokes in some dialogue that will be funnier to locals. In a later episode, Nan’s best friend and co-worker, Jenn (Kirby Howell-Baptiste), complains that her boyfriend’s parents offered to give the couple money for the down payment on a house — in Wexford.

“Oh my God,” Nan replies. “That’s, like, ground zero Stepford-Wife-Pilates-Land.”

It’s not unusual for TV series to hire cast and crew locally and to bring some from out of town and that includes Ned, the lead dog of “Downward Dog.”

Prior to the TV series, Mr. Killen and Mr. Hodges filmed a web series of the same name using a local dog, Sadie, who has a cameo in the ABC pilot in a dog training class scene. But Sadie was old and died two months after the pilot was filmed.

“We wanted an everyman dog, one that wasn’t beautiful, one that was kind of awkward and then we got this picture of this one dog who was too gorgeous, too Hollywood for our weird little series,” Mr. Killen said. “We continued to look for an older, anonymous-looking dog and finally decided, because of Ned’s eyes, we just couldn’t keep shooing him to the side. His eyes are almost human.”

Ned, who was 3 when the “Downward Dog” pilot was filmed in late 2015, was discovered by a California-based animal training company in a Chicago dog shelter. They brought him to Los Angeles for two months of training and then to Pittsburgh for production. Ned has continued to live with his trainers since.”

“He’s funny because he’s not a big people pleaser,” Ms. Tolman said. “I think I’ve seen him wag his tail a couple of times. It really becomes his set when he’s there. We cater to where he’s at that day, which is good. It didn’t give me any chance to be a diva because he was the diva on the set. He was the one in charge.”

‘Dog’ history

Mr. Killen, a Millvale native and 1982 graduate of Churchill Area High School, studied graphic design at Carnegie Mellon University and began his career in TV making graphics for PBS’s “MacNeil/Lehrer NewsHour” in New York before later moving to Los Angeles to study at the American Film Institute. He moved back to Pittsburgh in 1999 and co-founded the production company Animal Inc. in 2001 with Kathy Dzubiek, who also is an executive producer on “Dog,” and Jim Kreitzburg. The company specializes in making TV commercials but also branched out into documentary films, including “Blood Brothers” and “Fursonas.”

Mr. Killen, who now lives in Upper St. Clair, began animating animals’ lip movements for TV commercials while working in Los Angeles in the 1990s, including the Taco Bell Chihuahua.

“Downward Dog” co-creator Mr. Hodges worked at Animal as a commercial director when Mr. Killen mentioned his idea for a talking animal series.

“It was when [Disney Channel’s] ‘Dog with a Blog’ had come out and Michael was depressed because he wanted to do something that was cool with talking animals and he thought that was going to ruin it because it was in the market,” Mr. Hodges recalled. “I was like, why don’t you try to do something completely unlike any other talking dog thing and go against trope.”

Mr. Killen asked Mr. Hodges to try writing a script keeping that suggestion in mind, and it turned into a web series.

The series generated some interest from the “Ellen” show at Warner Bros., but Mr. Killen and Mr. Hodges got the sense Warner Bros.’ intent was to buy the idea and then go their own way. Mr. Hodges and Mr. Killen wanted to stay involved.

The fateful twist in the show’s development came when Steeltown Entertainment CEO Carl Kurlander brought Pittsburgh native and Hollywood agent Jimmy Miller (brother of comic Dennis Miller) to Animal to see Mr. Killen’s work for another project.

“I stopped the meeting to show him two episodes of the ‘Downward Dog’ web series,” Mr. Killen said. “[Jimmy] called us several times over the next couple of days and he took over negotiations with Warner Bros. We were correct that what we were being presented wasn’t a deal that was worthwhile and then he guided us on the best way to position ourselves.”

Mr. Miller called the meeting one of those “amazing moments in a career.” He believed in the creators and the project and encouraged them to develop scripts.

Mr. Hodges and Mr. Killen spent a year developing additional scripts, story ideas and a series bible. Mr. Miller introduced the pair to Pittsburgh booster Thomas Tull, then CEO of Legendary Entertainment, which was just moving into TV. Legendary came on board to co-produce “Downward Dog” and at one point Mr. Tull ensured the project stayed in Pittsburgh when there was a state budget impasse in 2015, which held up the commitment of state film tax credit funds.

“There was a sketchy two- or three-week period where it looked like the show might go to Canada or Atlanta,” Mr. Killen said. “Thank goodness for people like Jimmy and Thomas Tull who were able to keep this a Pittsburgh product.”

Having the web series to show network executives proved to be the team’s ace in the hole.

“We went out to Los Angeles and in one week pitched it to 12 places and we got, like, six offers,” Mr. Hodges said. “Paul Lee at ABC was most passionate and he swore to God he wouldn’t make it into ‘Modern Family’ with a dog.”

Mr. Lee ordered the “Downward Dog” pilot, which was filmed in Pittsburgh in December 2015. However, Mr. Lee was fired in February 2016. It was unclear whether’s Mr. Lee’s successor, former ABC drama head Channing Dungey, would share Mr. Lee’s interest in “Downward Dog.”

Ultimately, Ms. Dungey ordered the show to series in May 2016, albeit with a short eight-episode order and no spot on the fall 2016 schedule.

Then came the January announcement that “Downward Dog” wouldn’t air until summer. That wasn’t exactly a show of confidence on the part of ABC executives, who opted to give the network’s sole in-season comedy time slot to a different high-concept comedy, “Imaginary Mary,” starring Jenna Elfman. ABC canceled “Mary” on Thursday.

But also that month, four episodes of “Downward Dog” premiered at the Sundance Film Festival — the first time a broadcast network scripted comedy screened at the festival.

“It felt like [that audience] was laughing at everything,” Mr. Killen said of the show’s reception at Sundance. “It was the warmest reception I could imagine. I’ve had a lesser reception showing episodes to family members.”

Mr. Killen said “Downward Dog” producers are now happy with ABC’s marketing plans to support their show, which include billboards in major markets, influencer posts on behalf of the series on social media sites, series-themed speed dating events for pet lovers and integration with the Pittsburgh Pirates Pup Night Tuesday at PNC Park.

“It’s really up to the show now, which is the scary part,” Mr. Killen said. “We made a show we love and we think it should find an audience. ABC’s marketing effort is robust and now it comes down to if people like the show or not.”

TV writer Rob Owen: [email protected] or 412-263-2582. Read the Tuned In Journal blog at post-gazette.com/tv. Follow RobOwenTV on Twitter or Facebook.

TV PREVIEW

‘Downward Dog’

When: 9:30 p.m. Wednesday then 8 p.m. Tuesdays starting May 23, ABC.

Starring: Allison Tolman.